Emilio Perez is known as a painter's painter, combining the inherent aspects of painting with drawing in his unique stylistic process. His work is a combination of the spontaneity and expressiveness of painting (purposefully in its loosest form) and the immediacy and graphic quality of drawing. The artist generates his kinetic imagery by pushing paint in across a canvas, building layer over layer, and then going back into the painting to "draw" with a blade cutting his marks. Melding foreground and background, Perez's hand-cut marks ebb and flow between layers like the fluidity of ocean currents.
Perez attended Pratt Institute and University of Florida's New World School of the Arts. Perez's works can be found in the permanent collections of the Miami Art Museum; Albright-Knox Art Gallery; and Arkansas Art Center, Little Rock; and in corporate collections, internationally. The artist's paintings were featured in the exhibitions Topographies at the Albright-Knox Art Gallery, Buffalo; and Signs of the Apocalypse/Rapture at the Hyde Park Art Center, Chicago. Perez had solo exhibitions with Galerie Lelong in both New York and Paris and has been featured in group exhibitions in Dusseldorf, Philadelphia, Houston and St. Louis, among others.