Article: Committed to Prints

(New York: Art + Auction , 2012)
Centuries-old graphic mediums—along with some new ones—are seizing the attention of collectors and artists alike. Read more.

Spencer's Art Law Journal

(New York: , 2012)
Published three times per year, Spencer's Art Law Journal addresses legal questions of practical significance to collectors, dealers, scholars and the general art-minded public.

Art in Print

(Online: , Since 2011)

Art and Antiques Magazine

(New York: Art & Antiques Worldwide Media, LLC. , Since 1979)

Print Quarterly

(London: Print Quarterly Publications , since 1984)

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General Overview

The Expert versus the Object: Judging Fakes and False Attributions in the Visual Arts

(New York: Oxford University Press , 2004)

200 Years of Printmaking in America

(New York: Hirschl & Adler Galleries , 1996)

American Engravers Upon Copper and Steel

(New Castle: Oak Knoll Books , 1994)

The Art of Etching

(London: Secley, Service & Co. Ltd. , 1925)

Artist's Lithographs: A World History from Senefelder to the Present Day

(New York: G.P. Putnam's Sons , 1970)

Artist's Proof: A Collectors Edition of the First Eight Issues of the Distinguished Journal of Prints and Printmaking

(Greenwich: Pratt Graphics Center , 1971)

The Art of the Print

(New York: Abrams , 1976)

Australian Prints and Printmaking from the Australasian Region

(Canberra: National Gallery of Australia , 2001)

The Best of Printmaking: An International Collection

(Gloucester: Quarry Books , 1997)

Bibliography on America Prints of the Seventeenth through the Nineteenth Centuries

(New Castle: Oak Knoll Press , 2006)

British Prints: Dictionary and Price Guide

(Suffolk: Antique Collector's Club , 1996)

Canadian Drawings and Prints

(Toronto: Burns and MacEachern , 1952)

Complete Printmaker: Techniques, Traditions, Innovations, The

(New York: The Free Press , 1991)

Copper Plate Photogravure: Demystifying the Process

(Saint Louis: Focal Press , 2003)

Dutch Drawings and Prints

(New York: Abrams , 1959)

Encyclopedia of Printing, Photographic, and Photomechanical Processes

(Fredericton, New Brunswick: Atelier Luis Nadeau , 1989-1990)

Encyclopedia of Printmaking Techniques: A Comprehensive Visual Guide to Traditional and Contemporary Techniques

(New York: Sterling Publishing Co. Inc. , 2002)

Etching, Engraving, and Other Intaglio Printmaking Techniques

(New York: Dover Publications , 1984)

Fine Prints and Related Drawings. Sixteenth to Early Twentieth Century

(London: Emanuel von Baeyer , 2009)

Fine Prints: Collecting, Buying and Selling

(New York: Harper Collins , 1976)

Five Centuries of Genius: European Master Printmaking

(Adelaide: Art Gallery of South Australia , 2000)

Gráficas y Neográficas en México

(México, D.F.: Universidad Nacional Autónoma de México , 1987)

Great Prints and Printmakers

(New York: Leon Amiel , 1977)

Handbook of Graphic Reproduction

(Teuffen: Arthur Niggli, Ltd. , 1984)

Hard Pressed: 600 Years of Prints and Process

(New York: Hudson Hill Press with International Print Center NY , 2000)

Historia del Grabado

(Guanajuato: Ediciones La Rana , 2006)

A History of Wood Engraving

(London: Spring Books , 1964)

How to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Ink-jet

(New York: Thames and Hudson , 2004)

How Prints Look: Photographs with a Commentary

(Boston: Beacon Press , 1987)

The Illustrated Bartsch (multiple volumes)

(New York : Abaris Books , 1978)

Imagined Worlds: Willful Invention and the Printed Image, 1470-2005

(New York: Axa Gallery and International Print Center New York , 2005)

The Indignant Eye: The Artist As Social Critic in Prints & Drawings from the Fifteenth Century to Picasso

(Boston: Beacon Press , 1969)

Ink, Paper, Metal, Wood: How to Recognize Contemporary Artists’ Prints

(San Francisco: Point Publications , 1992)

Intersections: Lithography, Photography and the Traditions of Printmaking

(Santa Fe: University of New Mexico Press , 1998)

Islands in the Sun: Prints by Indigenous Artists of Australia and the Australasian Region

(Canberra: National Gallery of Art , 2001)

Lasting Impressions: Lithography as Art

(Canberra/Philadelphia: Australian National Gallery/University of Pennsylvania Press , 1988)

Manuel De L'Amateur D'Estampes, 2 vols

(Munchen: G. Hirth , 1863-1879)

The Mezzotint: History and Technique

(New York: Harry N. Abrams , 1990)

El movimiento del Grabado en Venezuela: Una Memoria

(Caracas: Universidad de Venezuela , 2003)

New Ways of Gravure: Innovative Techniques of Printmaking Taken from the Studio of a Master Craftsman

(New York: Watson-Guptill Publications , 1981)

Niederlandisches Kunstler-Lexicon

(Amsterdam: B.M. Israel , 1968)

Old American Prints for Collectors

(New York: Scribner's , 1974)

Original Print, The: Understanding Technique in Contemporary Fine Printmaking

(Madison: Guild, Llc , 2002)

Painterly Print: Monotypes from the 17th to the 20th Century

(New York: Metropolitan Museum of Art/Rizzoli , 1980)

Le Peintre-Graveur Francais: Catalogue Raisonne Des Estampes (multiple volumes)

(Paris: Nobele , 1967)

Picturing America 1497-1899

(Princeton: Princeton University Press , 1988)

The Print in the Western World: An Introductory History

(Madison: University of  Wisconsin Press , 1996)

Printmaking in Canada: The Earliest Views and Portraits

(Toronto: Royal Ontario Museum , c1980)

Printmaking, History and Process

(New York: Holt, Rinehart and Winston Publishers , 1978)

Printmaking in New Orleans

(Jackson/New Orleans : University Press of Mississippi/Historic New Orleans Collection , 2006)

Prints and their Creators: A World History

(New York: Crown , 1974)

Prints of New England: Papers given at the Seventh North American Print Conference

(Worcester: The American Antiquarian Society , 1991)

Prints Now: Directions and Definitions

(London : V&A Publications , 2006)

Prints and People: A Social History of Printed Pictures

(New York: Metropolitan Museum of Art , 1971)

Prints and Printmaking: An Introduction to the History and Techniques

(Berkeley and Los Angeles: University of California Press , 1996)

Prints of the West

(Golden: Fulcrum , 1994)

Retaining the Original: Multiple Originals, Copies and Reproductions, Studies in the History of Art, Vol 20, No. 7

(Washington: National Gallery of Art , c1989)

Six Centuries of Fine Prints

(New York: Covici Friede , 1937)

Touchstone: 200 years of Artists’ Lithography

(Cambridge: Arthur M. Sackler Museum, Harvard University Art Museum , 1998)

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History: 15th-18th century

16th Century Italian Ornament Prints in the V & A Museum

(London : Victoria and Albert Museum , 1999)

American Printmaking: The First 150 Years

(New York: Museum of Graphic Art/Smithsonian Institution Press , 1969)

An Annotated and Illustrated Version of Giorgio Vasari's History of Italian and Northern Prints from His Lives of the Artists (1550 & 1568), Vol. I: Text, Vol. II: Plates

(Lewiston: The Edwin Mellen Press )

Before Bruegel: Sebald Beham and the Origins of Peasant Festival Imagery

(Burlington: Ashgate Publishing Company , 2008)

Catalogue of Early German and Flemish Woodcuts, 2 vols

(London: Quarto Press in assoc. with the British Museum Publications , 1980)

Census of Fifteenth-Century Prints in Public Collections of the United States and Canada

(New Haven: Yale University Press , 1985, revised 1995)

Chiaroscuro: The Clair Obscuro Woodcuts by the German and Netherlandish Masters of the XVIth and XVIIth Centuries

(Greenwich: New York Graphic Society , 1973)

Colorful Impressions: The Printmaking Revolution in Eighteenth Century France

(Washington D.C.: The National Gallery of Art , 2003)

Der Deutshe Peintre-Graveur

(Leipzig: Yerlag Von Rudolph Weigel , 1864-78)

Die Monogrammisten, 5 vols

(Munchen : G. Franz , 1858-79)

Dürer and German Renaissance Printmaking

(Adelaide: Art Gallery of South Australia , c1996)

Dutch and Flemish Woodcuts of the Fifteenth Century

(London: Ernest Benn, Ltd. , 1925)

Dutch Landscape Prints of the Seventeenth Century

(London : British Museum Publications Ltd. , 1980)

Dutch Prints of Daily Life: Mirrors of Life or Masks of Morals?: Essay and Catalogue

(Lawrence: Spencer Museum of Art/University of Kansas , 1983)

Early Italian Engravings from the National Gallery of Art

(Washington D.C.: National Gallery of Art , 1973)

The English Print 1688-1802

(New Haven : Yale University Press , 1997)

Estampas de Madrid: Vistas de los Siglos XVII-XVIII

(Madrid: Museo Municipal de Madrid , 1999)

L’Estampe Originale: Artistic Printmaking in France, 1893-1895

(Zwolle/ Amsterdam: Waanders/Van Gogh Museum , c1991)

Eva/Ave: Woman in Renaissance and Baroque Prints

(Washington, D.C. / New York: National Gallery of Art/ The Feminist Press at The City University of NY , 1990)

Fifteenth Century Woodcuts & Metal Cuts, Fifteenth Century Engravings of Northern Europe and Early Italian Engravings, 3 vols

(Washington, DC: National Gallery of Art , 1986)

Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art

(Washington, D.C.: National Gallery of Art , 1965)

The First Century of Printmaking 1400-1500

(Chicago: Art Institute of Chicago , 1941)

Five Centuries of Genius: European Master Printmaking

(Adelaide: Art Gallery of South Australia , 2000)

From Goya to Picasso: A Century of Spanish Printmaking

(New York : The Hispanic Society of America , 1998)

German Book Illustration of the Gothic Period of the Early Renaissance (1460-1530)

(Metuchen : The Scarecrow Press Inc. , 1972)

German Printmaking in the Age of Goethe

(London: British Museum Press , 1994)

German Renaissance Prints 1490-1550

(London : British Museum Press , 1995)

The Golden age of Spain

(New York: Museo del Barrio , 1981)

Grand Scale: Monumental Prints in the Age of Dürer and Titian

(Wellesley/New Haven : Davis Museum and Cultural Center, Wellesley College in assoc with Yale University Press , 2008)

Graven Images: The Rise of Professional Printmakers in Antwerp and Harlem, 1540-1640

(Chapel Hill: Ackland Art Museum/University of North Carolina , 1993)

La Ilustración en México Colonial: El Grabado en Madera y Cobre en Nueva España, 1539-1821

(Zapopán: El Colegio de Jalisco , 2001)

Inventaire des Graveurs des Ecoles du Nord: 1440-1550 (2 volumes)

(Paris: Bibliotheque Nationale , 1982)

Inventaire du fonds francais Graveurs du XVII siecle (multiple volumes)

(Paris: Bibliotheque Nationale , 1939)

The Invention of the Italian Renaissance Printmaker

(New Haven: Yale University Press , 2000)

Italian Etchers of the Renaissance and Baroque

(Boston: Museum of Fine Arts , 1989)

Journey Through Landscape in Seventeenth Century Holland: The Haarlem Print Series and Dutch Identity

(University Park: Pennsylvania State University Press , 1994)

Katalog Der Ornamentstichsammlung Der Staatlichen Kunstbibliothek, Berlin, 2 vols

(Utrecht : HES Publishers , 1986)

Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten/The Picture Book of the Graphic Arts, 1500-1800

(Munich/New York: Knorr & Hirth, 1882/89, reissued Benjamin Blom Inc. , 1972)

Landscape Etchings by the Dutch Masters of the Seventeenth Century

(Maarssen : Gary Schwartz/Viking Press , 1979/1980)

Late Gothic Engravings of Germany and the Netherlands, 10 vols

(New York: Dover Publications , 1969)

Les Graveurs du Dix-Huitieme Siecle

(Paris: D. Morgan and C. Fatout , 1880-1882)

Mannerist Prints: International Style in the Sixteenth Century

(Los Angeles: Los Angeles County Museum of Art , 1988)

Manuel de l'amateur de la gravure sur bois et sur metal au xv siecle

(Berlin : Librairie Alber Cohn , 1891)

Michelangelo in Print - Reproductions as Response in the Sixteenth Century

(Surrey. UK: Ashgate Publishing Limited , 2010)

Musical Ensembles in Festival Books, 1500-1800: An Iconographical and Documentary Survey

(Rochester: Boydell and Brewer Inc. , 1989)

Neues allgemeines Kunstler-Lexicon

(Munchen : E.A. Fleischann , 1835-52)

Origins of European Printmaking: Fifteenth-Century Woodcuts and their Public

(Washington, D.C. : National Gallery of Art, in association with Yale University Press , 2005)

Ornament Prints in the Rijksmuseum II in the Seventeenth Century

(Amsterdam: Rijksmuseum Sound and Vision Publishers , 2004)

Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings and Woodcuts

(Baltimore: The Pennsylvania State University Press , 2002)

Paper Museums: The Reproductive Print in Europe, 1500-1800

(Chicago: The David and Alfred Smart Museum of Art/The University of Chicago , 2005)

Parmigianino und sein Kreis: Druckgraphick aus der Sammlung Baselitz

(Ostfildern : Hatje Cantz , 2007)

Peasants, Warriors and Wives: Popular Imagery in the Reformation

(Chicago: University of Chicago Press , 1989)

Le Peintre Graveur Italien

(Milan: Ulricc Hoepli , 1906)

La Pintura Andaluza del Siglo XVII y sus Fuentes Grabados

(Madrid: Fundación de Apoyo a la Historia del Arte Hispánico , 1998)

The Print in Early Modern England: An Historical Oversight

(New Haven: Yale University Press , 2010)

Printmaking in the Age of Rembrandt

(Boston: Museum of Fine Arts , 1981)

Printmaking in France from 1544 to 1844: Ecole de Fontainebleau to Romanticism

(London : Emanuel Von Baeyer , c2006)

Printmaking in nineteenth-century France: the Touche Ross gift to the Art Gallery of Ontario

(Toronto: Art Gallery of Ontario , c1988)

Prints 1400-1800: A Loan Exhibition from Museums and Private Collections.

(Minneapolis: Minneapolis Institute of Arts , 1956)

Prints for Books: Book Illustration in France, 1760 - 1800

(London: The British Library , 2004)

Prints and Drawings of the Danube School: An Exhibition of South German and Austrian Graphic Art of 1500 to 1560

(New Haven: Yale University Art Gallery , 1969)

Prints in Italy, 1550-1620

(London: British Museum , 2001)

Prints of the Pont-Aven School, Gauguin and his Circle in Brittany

(Washington, DC: Smithsonian Institution Traveling Exhibition Service , 1986)

Regency to Empire: French Printmaking, 1715-1814

(Minneapolis: Minneapolis Institute of Arts/Baltimore Museum of Art , 1984)

Rembrandt en la Memoria de Goya y Picasso: Obra Gráfica

(Madrid: Fundación Carlos Amberes , c1999)

The Renaissance Engravers: Fifteenth and Sixteenth Century Engravings, Etchings and Woodcuts

(Bournemouth: Parkstone/Aurora , 1996)

Replica, Fiction: Temporalities of German Renaissance Art

(Chicago: University of Chicago Press , 2008)

The School of Fontainebleau, Etchings and Engravings

(New York: Harry N. Abrams , 1969)

Seventeenth Century Italian Prints

(Stanford: Stanford University , 1978)

Venetian Prints and Books in the Age of Tiepolo

(New York: The Metropolitan Museum of Art , 1997)

The Viewer and the Printed Image in Late Medieval Europe

(Surrey: Ashgate Publishing Limited , 2010)

The World in Miniature: Engravings by the German Little Masters, 1500-1550

(Lawrence: Spencer Museum of Art/University of Kansas , 1988)

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History: 19th-20th century

African-American Artists, 1929-1945: Prints, Drawings, and Paintings in the Metropolitan Museum of Art

(New Haven: Yale University Press , 2003)

American Impressions: Prints Since Pollock

(New York: Alfred A. Knopf , 1985)

American Lithographers 1900-1960, The Artists and Their Printers

(Albuquerque: University of New Mexico Press , 1983)

American Prints 1913-1963

(Bruxelles: Bibliotheque Royale Albert I , 1976)

American Prints and Printmakers: A Chronicle of Over 400 Artists and Their Prints from 1900 to the Present

(Garden City: Doubleday & Co. , 1980)

American Prize Prints of the 20th Century

(New York: American Artists Group , 1949)

The Art of Collaboration: The Big Americans

(Canberra: National Gallery of Australia , 2003)

Avant-garde British Printmaking, 1914-1960  

(London: British Museum Publications , c1990)

British Printmakers 1855-1955: A Century of Printmaking from the Etching Revival to St. Ives

(Brookfield: Ashgate Publishing Co. , 1993)

Caroline and Frank Armington: Canadian Painter-Etchers in Paris

(Brampton: Art Gallery of Peel , 1990)

A Century of American Printmaking, 1880-1980

(Madison: University of Wisconsin Press , 1984)

Contemporary Australian Printmakers

(Melbourne: Landsdowne , 1976)

Contemporary Australian Printmaking: An Interpretive History

(Roseville East: Craftsman House , 1994)

The Contemporary Print from Pre-Pop to Postmodern

(New York/London: Thames & Hudson , 1996)

The Cutting Edge of Modernity: Linocuts from the Grosvenor School

(Brookfield: Ashgate Publishing Co. , 2002)

The Democratic Art: Pictures of a 19th Century America

(Boston: Godine , 1979)

Early American Lithography: Images to 1830

(Boston: Boston Athenaeum Library , 1997)

Early lithography, 1800-1840

(Providence: Annmary Brown Memorial Library , 1968)

Encuentros gráficos 1938-1948 : Artisas Europeos en el Taller de Gráfica Popular

(Mexico D.F.: Istituto de Investigaciones Interculturales Germano-Mexicanas A. C. , 1999)

Evolving Forms/Emerging Faces: Trends in Contemporary American Printmaking

(New Brunswick: Jane Voorhees Zimmerli Art Museum, Rutgers University , 1997)

Expressionist Printmaking: Aspects of its Genesis and Development

(New York : Galerie St. Etienne , 1985)

Eye on Europe: Prints, Books and Multiples: 1960 to Now

(New York: Museum of Modern Art , 2006)

The Federal Art Project: American Prints from the 1930's

(Ann Arbor: University of Michigan Art Museum , 1985)

Fifty Years of American Printmaking, 1910-1960

(New York: Associated American Artists , 1988)

First Impressions: Early Prints by Forty-six Contemporary Artists

(Minneapolis: Walker Art Center/Hudson Hills Press , 1989)

Flower and Fruit Prints of the 18th and Early 19th Centuries

(New York: Da Capo Press , 1970)

French Prints of the 20th Century

(New York: Praeger Publishers , 1970)

Graphic Muse, A: Prints by Contemporary American Women.

(South Hadley: Hudson Hills Press in association with Mount Holyoke College Art Museum , 1987)

The Graphic Work of the Impressionists: Manet, Pissarro, Renoir, Cezanne, Sisley

(New York: Harry N. Abrams , 1972)

Graven Images in the Promised Land: A History of Printmaking in South Australia, 1836-1981

(Adelaide: Art Gallery of South Australia , 1981)

Gravura: Arte Brasileira do Século XX

(São Paulo: Itaú Cultural/Cosac & Naify , 2000)

Handbook of Modern British Painting and Printmaking 1900-1990

(Brookfield: Ashgate Publishing Ltd. , 2002)

A History of British and American Etching

(London: Ernest Benn Ltd./Dodd, Mead & Co. , 1929)

Images of Women: printmakers in France from 1830 to 1930

(Salt Lake City : Utah Museum of Fine Arts/University of Utah , 1978)

The Impressionist Print

(New Haven: Yale University Press , 1996)

Linocuts of the Machine Age, Claude Flight and the Grosvenor School

(Hants: National Gallery of Australia/Ashgate Publishing Co. , 1995)

Mexico and Modern Printmaking: A Revolution in the Graphic Arts, 1920 to 1950

(Philadelphia: Philadelphia Museum of Art , 2006)

Mexico on Stone: lithography in Mexico, 1826-1900

(San Francisco: The Book Club of California , 1984)

Modern Art in Prints

(New York: Museum of Modern Art , 1973)

North American Prints, 1913-1947: An Examination at Century's End

(Syracuse: Syracuse University Press , 2006)

Parallel Lines: Printmakers, Painters and Photographers in Nineteenth-Century France

(New Haven: Yale University Press , 2001)

Paths to the Press: Printmaking and American Women Artists, 1910-1960

(Manhattan/Kansas: Marianna Kistler Beach Museum of Art/Kansas State University , c2006)

Le Peintre-Graveur, vol. 1-6

(Leipsig: Rudolph Weigel , 1860-64)

Picasso, Matisse, Chagall: französische Druckgraphik 1900-1950

(Heidelberg; Karlsruhe : Staatliche Kunsthalle Karlsruhe , 2006)

Post-Impressionist Prints: Paris in the 1890s

(Philadelphia: Philadelphia Museum of Art , 1998)

The Print in Germany 1830-1933: The Age of Expressionism

(London: British Museum , 1984)

Printmaking in Alberta, 1945-1985

(Edmonton: University of Alberta Press , 1989)

Printmaking in America: Collaborative Prints and Presses, 1960-1990

(Evanston: Leigh Block Gallery/Nortwestern University/Harry N. Abrams Inc , 1995)

Printmaking in New Mexico 1880-1990

(Albuquerque: University of New Mexico Press , 1991)

Printmaking in Paris: Picasso and His Contemporaries

(London : British Museum Press , c1997)

Prints of the Twentieth Century: A History

(New York : The Museum of Modern Art , 1976)

Prints by Twenty-Five Australian Artists. The Bicentennial Folio.

(Canberra: Australian National Gallery , 1988)

Progressive Printmakers, Wisconsin Artists and the Print Renaissance

(Madison: University of Wisconsin Press , 1999)

Proof: The Rise of Printmaking in Southern California

(Los Angeles: Getty Publications , 2011)

Radical Art: Printmaking and the Left in 1930s New York

(Berkeley: University of California Press , c2004)

Second Impressions: Modern Prints & Printmakers Reconsidered

(Albuquerque: University of New Mexico Press , c1996)

Second Sight: Printmaking in Chicago 1935-1995

(Evanston: Mary and Leigh Block Gallery/Northwestern University Press , 1997)

A Spectrum of Innovation: Color in American Printmaking 1890-1960

(Worcester: Worcester Art Museum/W.W. Norton and Company   , 1990)

The Stamp of Impulse: Abstract Expressionist Prints

(Worcester: Worcester Art Museum/Hudson Hills Press , 2001)

Surrealist Prints

(New York: Harry N. Abrams Inc. , 1997)

El Taller de Gráfica Popular  

(México, D.F. : Fondo de Cultura Económica , 2007)

El Taller de Gráfica Popular en México, 1937-1977: Trans. Elizabeth Siefer

(México: Instituto Nacional de Bellas Artes , 1992)

Two and One: Printmaking in Germany, 1945-1990

(Wellesley: Davis Museum and Cultural Center, Wellesley College , c2003)

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Japanese Prints

The Art of Japanese Prints

(San Diego: Laurel Glen Publishing , 1999)

Collecting Modern Japanese Prints, Then and Now

(Rutland: Charles E. Tuttle Company , 1994)

Contemporary Japanese Prints

(Los Angeles: Los Angeles County Museum of Art , 1972)

Contemporary Printmaking in Japan

(New York: Crown , 1965)

A Dictionary of Japanese Artist's: Painting, Sculpture, Ceramics, Prints, Lacquer

(New York: Weatherhill Inc. , 1976)

Ehon: The Artist and the Book in Japan

(New York: The New York Public Library in assoc with University of Washington Press, Seattle and London , 2006)

Guide to Modern Japanese Woodblock Prints 1900-1975

(Honolulu: University of Hawaii Press , 1995)

Hanga: Japanese Creative Prints

(Sydney: Art Gallery of New South Wales , 2000)

Hiroshige: One Hundred Famous Views of Edo

(Köln: Taschen America, Llc , 2008)

Hiroshige: Prints and Drawings

(Munich: Prestel , 2001)

History and Practice of Japanese Printmaking: a selectively annotated bibliography of English language materials

(Westport: Greenwood Press , c1984)

Images of a Changing World: Japanese Prints of the Twentieth Century

(Portland: Portland Art Museum , c1983)

Japanese Buddhist Prints

(New York: Abrams in cooperation with Kodansha International LTD., Tokyo , 1964)

The Japanese Print: A Historical Guide

(New York: Weatherhill Inc. , 1998)

Japanese Prints (Big Art)

(Köln: Taschen   , 2000)

Japanese Prints: From the Early Masters to the Modern

(Rutland: With the cooperation of the Honolulu Academy of Arts/Charles E. Tuttle Co. , 1959)

Japanese Prints: The Art Institute of Chicago

(New York: Abbeville Press Inc. , 2001)

Japanese Woodblock Printing

(Honolulu: University of Hawai'i Press , 2002)

Light in Darkness: Women in Japanese Prints of Early Showa (1926-1945)

(Los Angeles: Fisher Gallery at the University of Southern California )

The Male Journey in Japanese Prints

(San Francisco: Fine Arts Museums of San Francisco , 1989)

Masters of the Japanese Print: Their World and their Work

(London: Thames and Hudson , 1962)

Quiet Elegance: Japan through the Eyes of Nine American Artists

(North Clarendon: Charles E. Tuttle Company , 1997)

Ukiyo-E: An Introduction to Japanese Woodblock Prints

(Tokyo: Kodansha International , 1997)

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Single Artist Monographs

Albrecht Dürer: The Complete Engravings

(Avon: Artlines UK Ltd. , c1987)

The Art of Elizabeth Catlett

(Claremont: Hancraft Studios , c1984)

Art in a Mirror: The Counterproofs of Mary Cassatt

(New York: Adelson Galleries , 2004)

Dancing with the Dark: Joan Snyder Prints 1963-2010

(New Brunswick: Zimmerli Art Museum at Rutgers University , 2011)

Drawn from Nature: The Plant Lithographs of Ellsworth Kelly

(New Haven: Yale University Press in association with the Grand Rapids Art Museum , 2005)

Dürer in America, His Graphic Work

(Washington, D.C.: National Gallery of Art , 1971)

Edvard Munch: Master Prints

(Washington: National Gallery of Art, Washington & DelMonico Books - Prestel , 2010)

Elizabeth Catlett: Works on Paper, 1944-1992

(Hampton: Hampton University Museum , c1993)

The Etchings of Jacques Bellange

(Des Moines: Des Moines Art Center , 1975)

Goya, Grabador

(Madrid : Historia 16 , 1991)

Goya: Gravures & Lithographies

(Toulouse: Chorus , 2005)

Hans Baldung Grien: das Graphische Werk

(Unterschneidheim: A.  Uhl , 1978)

Jacques Callot: Catalogue Raisonné de l’Oeuvre Gravé

(San Francisco : Alan Wofsy Fine Arts , 1989)

José Clemente Orozco: Graphic Work Clemente Orozco

(Austin: University of Texas Press , 2004)

José Guadalupe Posada: Mexican Popular Prints

(London : Redstone Press , c1988)

Leopoldo Méndez: Revolutionary Art and the Mexican Print

(Austin : University of Texas Press , 2007)

Mary Cassatt, Impressions

(Giverny: Musée d’Art Américain Giverny/Terra Foundation for American Art , 2005)

Mary Cassatt: Prints and Drawings from the Artist's Studio

(Princeton: Princeton University Press , 2000)

Max Beckmann: Prints from the Museum of Modern Art

(Fort Worth/ New York : Modern Art Museum  of Fort Worth Museum of Modern Art , 1992)

Monografía: las obras de José Guadalupe Posada, Grabador Mexicano

(México, D.F.: Editorial RM , 2002)

Primicias Litográficas del Grabador José Guadalupe Posadas: Aquascalientes, León, 1872-1876.

(México: Gobierno de Estado de Aguascalientes , 1999)

Rembrandt in Eighteenth Century England

(New Haven: Yale Center for British Art , 1983)

Rembrandt: Experimental Etcher

(Greenwich: NY Graphic Society/ Hacker Art Books , 1969/1987)

Rembrandt's Journey: Painter, Draftsman, Etcher

(Boston: MFA Publications , 2004)

Rembrandt and Van Vliet: A Collaboration on Copper

(Amsterdam: Rembrandt Information Center , 1996)

Rubens and Printmaking

(Cambridge : Charrington Print Room Fitzwilliam Museum , c1990)

Winslow Homer and the Pictorial Press

(Syracuse: Syracuse University Press , 2003)

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Catalogues: Collection

Alone in a Crowd: Prints of the 1930s-1940s by African American Artists: from the Collection of Reba and Dave Williams

(United States: Washburn Press , 1993)

American Prints in the Library of Congress, A Catalog of the Collection.

(Wofsy: Alan Fine Arts , 1991)

Black Printmakers and the W.P.A.: The Lehman College Art Gallery

(Bronx: Lehman College Art Gallery, the City University of New York , 1989)

Five Hundred Years of Medicine in Art: An Illustrated Catalogue of Prints and Drawings in the Clements C. Fry Collection

(Suffolk: St. Edmundsbury Press Ltd., Ashgate Publishing , 1988/2001)

French Renaissance in Prints from the Bibliotheque Nationale de France

(Buena Park : Gardner Lithograph/University of Washington Press , 1994/1995)

German Expressionist Prints and Drawing: the Robert Gore Rifkin Center for German Expressionist Studies

(Los Angeles/Munich : Los Angeles County Museum of Art/teNeyes Publishing Co. , 1989)

German Expressionist Prints: the Marcia and Granvil Specks Collection at the Milwaukee Art Museum

(New York : Hudson Hills Press    , 2004)

The Graphic Unconscious Edited

(Philadelphia: Philagrafika , 2010)

Impressions of the 20th Century: Fine Art Prints from the V&A collection

(London: V&A Publications/Harry N. Abrams Inc. , 2001)

Impressions of New York, Prints from the New-York Historical Society

(New York: New York Historical Society , 2004)

Latin American prints from the Museum of Modern Art

(New York: Center for Inter-American Relations , 1974)

Master Prints of Five Centuries: The Alan and Marianne Schwartz collection

(Detroit: Detroit Institute of Arts , 1991)

Mezzotints from the Metropolitan Museum of Art

(New York: Metropolitan Museum of Art , 1968)

Pop Impressions: Europe/USA, Prints and Multiples from the Museum of Modern Art

(New York: Museum of Modern Art in Association with Harry Abrams , 1999)

Successions: Prints by African-American artists from the Jean and Robert Steele Collection

(College Park: Art Gallery, University of Maryland , 2002)

Surrealist Prints from the Collection of the Museum of Modern Art

(Fort Worth: Modern Art Museum Fort Worth , 1985)

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Catalogues: Print Workshops

Bob Blackburn’s Printmaking Workshop: Artists of Color

(New York : The Workshop , 1992)

Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida

(Washington DC: National Gallery of Art , 1991)

In Print: Contemporary Artists at the Vinalhaven Press

(Portland: Portland Museum of Art , 1997)

Landfall Press: Twenty-five Years of Printmaking

(Milwaukee: Milwaukee Art Museum , 1996)

Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957-1997

(Washington DC: Corcoran Gallery of Art , 1998)

Tyler Graphics: Catalogue Raisonne 1974-1985

(Minneapolis: Walker Art Center/Abbeville Press Inc. , 1987)

Tyler Graphics: the extended image

(Minneapolis: Walker Art Center/Abbeville Press Inc. , 1987)

Universal Limited Art Editions: A History and Catalogue: The First Twenty-five Years

(Chicago: The Art Institute of Chicago/ New York: Harry N. Abrams Inc. , 1989)

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Care and Conservation

The Care of Prints and Drawings

(Nashville: AASLH Press, with the assistance of the J. Paul Getty Trust , 1987)

Conservation Mounting for Prints and Drawings

(London: British Museum , 2004)

Curatorial Care of Works on Paper: Basic Procedures for Paper Preservation

(New York: Nick Lyons Books , 1987)

A Guide to the Collecting and Care of Original Prints

(New York: Crown for the Print Council of America , 1966)

Guidelines for Lending Works of Art on Paper

(Amsterdam: Amsterdam University Press , 1997)

How to Care for Works of Art on Paper

(Boston: Museum of Fine Arts Boston , 1985)

Old Master Prints and Drawings: A Guide to Preservation and Conservation

(Ann Arbor: University of Michigan Press , 1997)

The Restoration of Engravings, Drawings, Books and Other Works on Paper

(Los Angeles: Getty Conservation Institute , 2006)

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