Bibliography
- General Overview
- Periodicals
- History: 15th-18th century
- History: 19th-20th century
- Japanese Prints
- Single Artist Monographs
- Catalogues: Collection
- Catalogues: Print Workshops
- Care and Conservation
General Overview
Artist's Lithographs: A World History from Senefelder to the Present Day
(New York:
G.P. Putnam's Sons , 1970)
Artist's Proof: A Collectors Edition of the First Eight Issues of the Distinguished Journal of Prints and Printmaking
(Greenwich:
Pratt Graphics Center , 1971)
Australian Prints and Printmaking from the Australasian Region
(Canberra:
National Gallery of Australia , 2001)
Bibliography on America Prints of the Seventeenth through the Nineteenth Centuries
(New Castle:
Oak Knoll Press , 2006)
Encyclopedia of Printing, Photographic, and Photomechanical Processes
(Fredericton, New Brunswick:
Atelier Luis Nadeau , 1989-1990)
Encyclopedia of Printmaking Techniques: A Comprehensive Visual Guide to Traditional and Contemporary Techniques
(New York:
Sterling Publishing Co. Inc. , 2002)
Fine Prints and Related Drawings. Sixteenth to Early Twentieth Century
(London:
Emanuel von Baeyer , 2009)
Five Centuries of Genius: European Master Printmaking
(Adelaide:
Art Gallery of South Australia , 2000)
Gráficas y Neográficas en México
(México, D.F.:
Universidad Nacional Autónoma de México , 1987)
Hard Pressed: 600 Years of Prints and Process
(New York:
Hudson Hill Press with International Print Center NY , 2000)
How to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Ink-jet
(New York:
Thames and Hudson , 2004)
Imagined Worlds: Willful Invention and the Printed Image, 1470-2005
(New York:
Axa Gallery and International Print Center New York , 2005)
The Indignant Eye: The Artist As Social Critic in Prints & Drawings from the Fifteenth Century to Picasso
(Boston:
Beacon Press , 1969)
Ink, Paper, Metal, Wood: How to Recognize Contemporary Artists’ Prints
(San Francisco:
Point Publications , 1992)
Intersections: Lithography, Photography and the Traditions of Printmaking
(Santa Fe:
University of New Mexico Press , 1998)
Islands in the Sun: Prints by Indigenous Artists of Australia and the Australasian Region
(Canberra:
National Gallery of Art , 2001)
Lasting Impressions: Lithography as Art
(Canberra/Philadelphia:
Australian National Gallery/University of Pennsylvania Press , 1988)
New Ways of Gravure: Innovative Techniques of Printmaking Taken from the Studio of a Master Craftsman
(New York:
Watson-Guptill Publications , 1981)
Original Print, The: Understanding Technique in Contemporary Fine Printmaking
(Madison:
Guild, Llc , 2002)
Painterly Print: Monotypes from the 17th to the 20th Century
(New York:
Metropolitan Museum of Art/Rizzoli , 1980)
Le Peintre-Graveur Francais: Catalogue Raisonne Des Estampes (multiple volumes)
(Paris:
Nobele , 1967)
The Print in the Western World: An Introductory History
(Madison:
University of Wisconsin Press , 1996)
Printmaking in New Orleans
(Jackson/New Orleans :
University Press of Mississippi/Historic New Orleans Collection , 2006)
Prints of New England: Papers given at the Seventh North American Print Conference
(Worcester:
The American Antiquarian Society , 1991)
Prints and People: A Social History of Printed Pictures
(New York:
Metropolitan Museum of Art , 1971)
Prints and Printmaking: An Introduction to the History and Techniques
(Berkeley and Los Angeles:
University of California Press , 1996)
Retaining the Original: Multiple Originals, Copies and Reproductions, Studies in the History of Art, Vol 20, No. 7
(Washington:
National Gallery of Art , c1989)
History: 15th-18th century
16th Century Italian Ornament Prints in the V & A Museum
(London :
Victoria and Albert Museum , 1999)
American Printmaking: The First 150 Years
(New York:
Museum of Graphic Art/Smithsonian Institution Press , 1969)
An Annotated and Illustrated Version of Giorgio Vasari's History of Italian and Northern Prints from His Lives of the Artists (1550 & 1568), Vol. I: Text, Vol. II: Plates
(Lewiston:
The Edwin Mellen Press )
Before Bruegel: Sebald Beham and the Origins of Peasant Festival Imagery
(Burlington:
Ashgate Publishing Company , 2008)
Catalogue of Early German and Flemish Woodcuts, 2 vols
(London:
Quarto Press in assoc. with the British Museum Publications , 1980)
Census of Fifteenth-Century Prints in Public Collections of the United States and Canada
(New Haven:
Yale University Press , 1985, revised 1995)
Chiaroscuro: The Clair Obscuro Woodcuts by the German and Netherlandish Masters of the XVIth and XVIIth Centuries
(Greenwich:
New York Graphic Society , 1973)
Colorful Impressions: The Printmaking Revolution in Eighteenth Century France
(Washington D.C.:
The National Gallery of Art , 2003)
Dutch Landscape Prints of the Seventeenth Century
(London :
British Museum Publications Ltd. , 1980)
Dutch Prints of Daily Life: Mirrors of Life or Masks of Morals?: Essay and Catalogue
(Lawrence:
Spencer Museum of Art/University of Kansas , 1983)
Early Italian Engravings from the National Gallery of Art
(Washington D.C.:
National Gallery of Art , 1973)
L’Estampe Originale: Artistic Printmaking in France, 1893-1895
(Zwolle/ Amsterdam:
Waanders/Van Gogh Museum , c1991)
Eva/Ave: Woman in Renaissance and Baroque Prints
(Washington, D.C. / New York:
National Gallery of Art/ The Feminist Press at The City University of NY , 1990)
Fifteenth Century Woodcuts & Metal Cuts, Fifteenth Century Engravings of Northern Europe and Early Italian Engravings, 3 vols
(Washington, DC:
National Gallery of Art , 1986)
Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art
(Washington, D.C.:
National Gallery of Art , 1965)
Five Centuries of Genius: European Master Printmaking
(Adelaide:
Art Gallery of South Australia , 2000)
From Goya to Picasso: A Century of Spanish Printmaking
(New York :
The Hispanic Society of America , 1998)
German Book Illustration of the Gothic Period of the Early Renaissance (1460-1530)
(Metuchen :
The Scarecrow Press Inc. , 1972)
Grand Scale: Monumental Prints in the Age of Dürer and Titian
(Wellesley/New Haven :
Davis Museum and Cultural Center, Wellesley College in assoc with Yale University Press , 2008)
Graven Images: The Rise of Professional Printmakers in Antwerp and Harlem, 1540-1640
(Chapel Hill:
Ackland Art Museum/University of North Carolina , 1993)
La Ilustración en México Colonial: El Grabado en Madera y Cobre en Nueva España, 1539-1821
(Zapopán:
El Colegio de Jalisco , 2001)
Inventaire des Graveurs des Ecoles du Nord: 1440-1550 (2 volumes)
(Paris:
Bibliotheque Nationale , 1982)
Inventaire du fonds francais Graveurs du XVII siecle (multiple volumes)
(Paris:
Bibliotheque Nationale , 1939)
Journey Through Landscape in Seventeenth Century Holland: The Haarlem Print Series and Dutch Identity
(University Park:
Pennsylvania State University Press , 1994)
Katalog Der Ornamentstichsammlung Der Staatlichen Kunstbibliothek, Berlin, 2 vols
(Utrecht :
HES Publishers , 1986)
Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten/The Picture Book of the Graphic Arts, 1500-1800
(Munich/New York:
Knorr & Hirth, 1882/89, reissued Benjamin Blom Inc. , 1972)
Landscape Etchings by the Dutch Masters of the Seventeenth Century
(Maarssen :
Gary Schwartz/Viking Press , 1979/1980)
Late Gothic Engravings of Germany and the Netherlands, 10 vols
(New York:
Dover Publications , 1969)
Mannerist Prints: International Style in the Sixteenth Century
(Los Angeles:
Los Angeles County Museum of Art , 1988)
Manuel de l'amateur de la gravure sur bois et sur metal au xv siecle
(Berlin :
Librairie Alber Cohn , 1891)
Michelangelo in Print - Reproductions as Response in the Sixteenth Century
(Surrey. UK:
Ashgate Publishing Limited , 2010)
Musical Ensembles in Festival Books, 1500-1800: An Iconographical and Documentary Survey
(Rochester:
Boydell and Brewer Inc. , 1989)
Origins of European Printmaking: Fifteenth-Century Woodcuts and their Public
(Washington, D.C. :
National Gallery of Art, in association with Yale University Press , 2005)
Ornament Prints in the Rijksmuseum II in the Seventeenth Century
(Amsterdam:
Rijksmuseum Sound and Vision Publishers , 2004)
Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings and Woodcuts
(Baltimore:
The Pennsylvania State University Press , 2002)
Paper Museums: The Reproductive Print in Europe, 1500-1800
(Chicago:
The David and Alfred Smart Museum of Art/The University of Chicago , 2005)
Parmigianino und sein Kreis: Druckgraphick aus der Sammlung Baselitz
(Ostfildern :
Hatje Cantz , 2007)
Peasants, Warriors and Wives: Popular Imagery in the Reformation
(Chicago:
University of Chicago Press , 1989)
La Pintura Andaluza del Siglo XVII y sus Fuentes Grabados
(Madrid:
Fundación de Apoyo a la Historia del Arte Hispánico , 1998)
The Print in Early Modern England: An Historical Oversight
(New Haven:
Yale University Press , 2010)
Printmaking in France from 1544 to 1844: Ecole de Fontainebleau to Romanticism
(London :
Emanuel Von Baeyer , c2006)
Printmaking in nineteenth-century France: the Touche Ross gift to the Art Gallery of Ontario
(Toronto:
Art Gallery of Ontario , c1988)
Prints 1400-1800: A Loan Exhibition from Museums and Private Collections.
(Minneapolis:
Minneapolis Institute of Arts , 1956)
Prints and Drawings of the Danube School: An Exhibition of South German and Austrian Graphic Art of 1500 to 1560
(New Haven:
Yale University Art Gallery , 1969)
Prints of the Pont-Aven School, Gauguin and his Circle in Brittany
(Washington, DC:
Smithsonian Institution Traveling Exhibition Service , 1986)
Regency to Empire: French Printmaking, 1715-1814
(Minneapolis:
Minneapolis Institute of Arts/Baltimore Museum of Art , 1984)
Rembrandt en la Memoria de Goya y Picasso: Obra Gráfica
(Madrid:
Fundación Carlos Amberes , c1999)
The Renaissance Engravers: Fifteenth and Sixteenth Century Engravings, Etchings and Woodcuts
(Bournemouth:
Parkstone/Aurora , 1996)
Replica, Fiction: Temporalities of German Renaissance Art
(Chicago:
University of Chicago Press , 2008)
The Viewer and the Printed Image in Late Medieval Europe
(Surrey:
Ashgate Publishing Limited , 2010)
History: 19th-20th century
African-American Artists, 1929-1945: Prints, Drawings, and Paintings in the Metropolitan Museum of Art
(New Haven:
Yale University Press , 2003)
American Lithographers 1900-1960, The Artists and Their Printers
(Albuquerque:
University of New Mexico Press , 1983)
American Prints and Printmakers: A Chronicle of Over 400 Artists and Their Prints from 1900 to the Present
(Garden City:
Doubleday & Co. , 1980)
British Printmakers 1855-1955: A Century of Printmaking from the Etching Revival to St. Ives
(Brookfield:
Ashgate Publishing Co. , 1993)
Caroline and Frank Armington: Canadian Painter-Etchers in Paris
(Brampton:
Art Gallery of Peel , 1990)
Contemporary Australian Printmaking: An Interpretive History
(Roseville East:
Craftsman House , 1994)
The Cutting Edge of Modernity: Linocuts from the Grosvenor School
(Brookfield:
Ashgate Publishing Co. , 2002)
Encuentros gráficos 1938-1948 : Artisas Europeos en el Taller de Gráfica Popular
(Mexico D.F.:
Istituto de Investigaciones Interculturales Germano-Mexicanas A. C. , 1999)
Evolving Forms/Emerging Faces: Trends in Contemporary American Printmaking
(New Brunswick:
Jane Voorhees Zimmerli Art Museum, Rutgers University , 1997)
Expressionist Printmaking: Aspects of its Genesis and Development
(New York :
Galerie St. Etienne , 1985)
The Federal Art Project: American Prints from the 1930's
(Ann Arbor:
University of Michigan Art Museum , 1985)
First Impressions: Early Prints by Forty-six Contemporary Artists
(Minneapolis:
Walker Art Center/Hudson Hills Press , 1989)
Graphic Muse, A: Prints by Contemporary American Women.
(South Hadley:
Hudson Hills Press in association with Mount Holyoke College Art Museum , 1987)
The Graphic Work of the Impressionists: Manet, Pissarro, Renoir, Cezanne, Sisley
(New York:
Harry N. Abrams , 1972)
Graven Images in the Promised Land: A History of Printmaking in South Australia, 1836-1981
(Adelaide:
Art Gallery of South Australia , 1981)
Handbook of Modern British Painting and Printmaking 1900-1990
(Brookfield:
Ashgate Publishing Ltd. , 2002)
Images of Women: printmakers in France from 1830 to 1930
(Salt Lake City :
Utah Museum of Fine Arts/University of Utah , 1978)
Linocuts of the Machine Age, Claude Flight and the Grosvenor School
(Hants:
National Gallery of Australia/Ashgate Publishing Co. , 1995)
Mexico and Modern Printmaking: A Revolution in the Graphic Arts, 1920 to 1950
(Philadelphia:
Philadelphia Museum of Art , 2006)
Mexico on Stone: lithography in Mexico, 1826-1900
(San Francisco:
The Book Club of California , 1984)
North American Prints, 1913-1947: An Examination at Century's End
(Syracuse:
Syracuse University Press , 2006)
Parallel Lines: Printmakers, Painters and Photographers in Nineteenth-Century France
(New Haven:
Yale University Press , 2001)
Paths to the Press: Printmaking and American Women Artists, 1910-1960
(Manhattan/Kansas:
Marianna Kistler Beach Museum of Art/Kansas State University , c2006)
Picasso, Matisse, Chagall: französische Druckgraphik 1900-1950
(Heidelberg; Karlsruhe :
Staatliche Kunsthalle Karlsruhe , 2006)
Printmaking in America: Collaborative Prints and Presses, 1960-1990
(Evanston:
Leigh Block Gallery/Nortwestern University/Harry N. Abrams Inc , 1995)
Prints by Twenty-Five Australian Artists. The Bicentennial Folio.
(Canberra:
Australian National Gallery , 1988)
Progressive Printmakers, Wisconsin Artists and the Print Renaissance
(Madison:
University of Wisconsin Press , 1999)
Radical Art: Printmaking and the Left in 1930s New York
(Berkeley:
University of California Press , c2004)
Second Impressions: Modern Prints & Printmakers Reconsidered
(Albuquerque:
University of New Mexico Press , c1996)
Second Sight: Printmaking in Chicago 1935-1995
(Evanston:
Mary and Leigh Block Gallery/Northwestern University Press , 1997)
A Spectrum of Innovation: Color in American Printmaking 1890-1960
(Worcester:
Worcester Art Museum/W.W. Norton and Company , 1990)
The Stamp of Impulse: Abstract Expressionist Prints
(Worcester:
Worcester Art Museum/Hudson Hills Press , 2001)
El Taller de Gráfica Popular en México, 1937-1977: Trans. Elizabeth Siefer
(México:
Instituto Nacional de Bellas Artes , 1992)
Japanese Prints
A Dictionary of Japanese Artist's: Painting, Sculpture, Ceramics, Prints, Lacquer
(New York:
Weatherhill Inc. , 1976)
Ehon: The Artist and the Book in Japan
(New York:
The New York Public Library in assoc with University of Washington Press, Seattle and London , 2006)
History and Practice of Japanese Printmaking: a selectively annotated bibliography of English language materials
(Westport:
Greenwood Press , c1984)
Images of a Changing World: Japanese Prints of the Twentieth Century
(Portland:
Portland Art Museum , c1983)
Japanese Buddhist Prints
(New York:
Abrams in cooperation with Kodansha International LTD., Tokyo , 1964)
Japanese Prints: From the Early Masters to the Modern
(Rutland:
With the cooperation of the Honolulu Academy of Arts/Charles E. Tuttle Co. , 1959)
Light in Darkness: Women in Japanese Prints of Early Showa (1926-1945)
(Los Angeles:
Fisher Gallery at the University of Southern California )
Quiet Elegance: Japan through the Eyes of Nine American Artists
(North Clarendon:
Charles E. Tuttle Company , 1997)
Single Artist Monographs
Dancing with the Dark: Joan Snyder Prints 1963-2010
(New Brunswick:
Zimmerli Art Museum at Rutgers University , 2011)
Drawn from Nature: The Plant Lithographs of Ellsworth Kelly
(New Haven:
Yale University Press in association with the Grand Rapids Art Museum , 2005)
Edvard Munch: Master Prints
(Washington:
National Gallery of Art, Washington & DelMonico Books - Prestel , 2010)
Jacques Callot: Catalogue Raisonné de l’Oeuvre Gravé
(San Francisco :
Alan Wofsy Fine Arts , 1989)
Leopoldo Méndez: Revolutionary Art and the Mexican Print
(Austin :
University of Texas Press , 2007)
Mary Cassatt, Impressions
(Giverny:
Musée d’Art Américain Giverny/Terra Foundation for American Art , 2005)
Mary Cassatt: Prints and Drawings from the Artist's Studio
(Princeton:
Princeton University Press , 2000)
Max Beckmann: Prints from the Museum of Modern Art
(Fort Worth/ New York :
Modern Art Museum of Fort Worth Museum of Modern Art , 1992)
Monografía: las obras de José Guadalupe Posada, Grabador Mexicano
(México, D.F.:
Editorial RM , 2002)
Primicias Litográficas del Grabador José Guadalupe Posadas: Aquascalientes, León, 1872-1876.
(México:
Gobierno de Estado de Aguascalientes , 1999)
Catalogues: Collection
Alone in a Crowd: Prints of the 1930s-1940s by African American Artists: from the Collection of Reba and Dave Williams
(United States:
Washburn Press , 1993)
American Prints in the Library of Congress, A Catalog of the Collection.
(Wofsy:
Alan Fine Arts , 1991)
Black Printmakers and the W.P.A.: The Lehman College Art Gallery
(Bronx:
Lehman College Art Gallery, the City University of New York , 1989)
Five Hundred Years of Medicine in Art: An Illustrated Catalogue of Prints and Drawings in the Clements C. Fry Collection
(Suffolk:
St. Edmundsbury Press Ltd., Ashgate Publishing , 1988/2001)
French Renaissance in Prints from the Bibliotheque Nationale de France
(Buena Park :
Gardner Lithograph/University of Washington Press , 1994/1995)
German Expressionist Prints and Drawing: the Robert Gore Rifkin Center for German Expressionist Studies
(Los Angeles/Munich :
Los Angeles County Museum of Art/teNeyes Publishing Co. , 1989)
German Expressionist Prints: the Marcia and Granvil Specks Collection at the Milwaukee Art Museum
(New York :
Hudson Hills Press , 2004)
Impressions of the 20th Century: Fine Art Prints from the V&A collection
(London:
V&A Publications/Harry N. Abrams Inc. , 2001)
Impressions of New York, Prints from the New-York Historical Society
(New York:
New York Historical Society , 2004)
Latin American prints from the Museum of Modern Art
(New York:
Center for Inter-American Relations , 1974)
Master Prints of Five Centuries: The Alan and Marianne Schwartz collection
(Detroit:
Detroit Institute of Arts , 1991)
Pop Impressions: Europe/USA, Prints and Multiples from the Museum of Modern Art
(New York:
Museum of Modern Art in Association with Harry Abrams , 1999)
Successions: Prints by African-American artists from the Jean and Robert Steele Collection
(College Park:
Art Gallery, University of Maryland , 2002)
Catalogues: Print Workshops
Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida
(Washington DC:
National Gallery of Art , 1991)
Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957-1997
(Washington DC:
Corcoran Gallery of Art , 1998)
Tyler Graphics: Catalogue Raisonne 1974-1985
(Minneapolis:
Walker Art Center/Abbeville Press Inc. , 1987)
Care and Conservation
The Care of Prints and Drawings
(Nashville:
AASLH Press, with the assistance of the J. Paul Getty Trust , 1987)
Curatorial Care of Works on Paper: Basic Procedures for Paper Preservation
(New York:
Nick Lyons Books , 1987)
A Guide to the Collecting and Care of Original Prints
(New York:
Crown for the Print Council of America , 1966)
Old Master Prints and Drawings: A Guide to Preservation and Conservation
(Ann Arbor:
University of Michigan Press , 1997)
Louis Valtat