Bibliography
- General Overview
- Periodicals
- History: 15th-18th century
- History: 19th-20th century
- Japanese Prints
- Single Artist Monographs
- Catalogues: Collection
- Catalogues: Print Workshops
- Care and Conservation
General Overview
Artist's Lithographs: A World History from Senefelder to the Present Day
(New York:
G.P. Putnam's Sons,
1970)
Artist's Proof: A Collectors Edition of the First Eight Issues of the Distinguished Journal of Prints and Printmaking
(Greenwich:
Pratt Graphics Center,
1971)
Australian Prints and Printmaking from the Australasian Region
(Canberra:
National Gallery of Australia,
2001)
Bibliography on America Prints of the Seventeenth through the Nineteenth Centuries
(New Castle:
Oak Knoll Press,
2006)
Encyclopedia of Printing, Photographic, and Photomechanical Processes
(Fredericton, New Brunswick:
Atelier Luis Nadeau,
1989-1990)
Encyclopedia of Printmaking Techniques: A Comprehensive Visual Guide to Traditional and Contemporary Techniques
(New York:
Sterling Publishing Co. Inc.,
2002)
Fine Prints and Related Drawings. Sixteenth to Early Twentieth Century
(London:
Emanuel von Baeyer,
2009)
Five Centuries of Genius: European Master Printmaking
(Adelaide:
Art Gallery of South Australia ,
2000)
Gráficas y Neográficas en México
(México, D.F.:
Universidad Nacional Autónoma de México,
1987)
Hard Pressed: 600 Years of Prints and Process
(New York:
Hudson Hill Press with International Print Center NY,
2000)
How to Identify Prints: A Complete Guide to Manual and Mechanical Processes from Woodcut to Ink-jet
(New York:
Thames and Hudson,
2004)
Imagined Worlds: Willful Invention and the Printed Image, 1470-2005
(New York:
Axa Gallery and International Print Center New York,
2005)
The Indignant Eye: The Artist As Social Critic in Prints & Drawings from the Fifteenth Century to Picasso
(Boston:
Beacon Press,
1969)
Ink, Paper, Metal, Wood: How to Recognize Contemporary Artists’ Prints
(San Francisco:
Point Publications,
1992)
Intersections: Lithography, Photography and the Traditions of Printmaking
(Santa Fe:
University of New Mexico Press,
1998)
Islands in the Sun: Prints by Indigenous Artists of Australia and the Australasian Region
(Canberra:
National Gallery of Art,
2001)
Lasting Impressions: Lithography as Art
(Canberra/Philadelphia:
Australian National Gallery/University of Pennsylvania Press,
1988)
New Ways of Gravure: Innovative Techniques of Printmaking Taken from the Studio of a Master Craftsman
(New York:
Watson-Guptill Publications,
1981)
Original Print, The: Understanding Technique in Contemporary Fine Printmaking
(Madison:
Guild, Llc,
2002)
Painterly Print: Monotypes from the 17th to the 20th Century
(New York:
Metropolitan Museum of Art/Rizzoli,
1980)
Le Peintre-Graveur Francais: Catalogue Raisonne Des Estampes (multiple volumes)
(Paris:
Nobele,
1967)
The Print in the Western World: An Introductory History
(Madison:
University of Wisconsin Press,
1996)
Printmaking in New Orleans
(Jackson/New Orleans :
University Press of Mississippi/Historic New Orleans Collection ,
2006)
Prints of New England: Papers given at the Seventh North American Print Conference
(Worcester:
The American Antiquarian Society,
1991)
Prints and People: A Social History of Printed Pictures
(New York:
Metropolitan Museum of Art,
1971)
Prints and Printmaking: An Introduction to the History and Techniques
(Berkeley and Los Angeles:
University of California Press,
1996)
Retaining the Original: Multiple Originals, Copies and Reproductions, Studies in the History of Art, Vol 20, No. 7
(Washington:
National Gallery of Art,
c1989)
History: 15th-18th century
16th Century Italian Ornament Prints in the V & A Museum
(London :
Victoria and Albert Museum,
1999)
American Printmaking: The First 150 Years
(New York:
Museum of Graphic Art/Smithsonian Institution Press,
1969)
An Annotated and Illustrated Version of Giorgio Vasari's History of Italian and Northern Prints from His Lives of the Artists (1550 & 1568), Vol. I: Text, Vol. II: Plates
(Lewiston:
The Edwin Mellen Press ,
)
Before Bruegel: Sebald Beham and the Origins of Peasant Festival Imagery
(Burlington:
Ashgate Publishing Company,
2008)
Catalogue of Early German and Flemish Woodcuts, 2 vols
(London:
Quarto Press in assoc. with the British Museum Publications,
1980)
Census of Fifteenth-Century Prints in Public Collections of the United States and Canada
(New Haven:
Yale University Press,
1985, revised 1995)
Chiaroscuro: The Clair Obscuro Woodcuts by the German and Netherlandish Masters of the XVIth and XVIIth Centuries
(Greenwich:
New York Graphic Society,
1973)
Colorful Impressions: The Printmaking Revolution in Eighteenth Century France
(Washington D.C.:
The National Gallery of Art,
2003)
Dutch Landscape Prints of the Seventeenth Century
(London :
British Museum Publications Ltd. ,
1980)
Dutch Prints of Daily Life: Mirrors of Life or Masks of Morals?: Essay and Catalogue
(Lawrence:
Spencer Museum of Art/University of Kansas,
1983)
Early Italian Engravings from the National Gallery of Art
(Washington D.C.:
National Gallery of Art,
1973)
L’Estampe Originale: Artistic Printmaking in France, 1893-1895
(Zwolle/ Amsterdam:
Waanders/Van Gogh Museum ,
c1991)
Eva/Ave: Woman in Renaissance and Baroque Prints
(Washington, D.C. / New York:
National Gallery of Art/ The Feminist Press at The City University of NY ,
1990)
Fifteenth Century Woodcuts & Metal Cuts, Fifteenth Century Engravings of Northern Europe and Early Italian Engravings, 3 vols
(Washington, DC:
National Gallery of Art,
1986)
Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art
(Washington, D.C.:
National Gallery of Art ,
1965)
Five Centuries of Genius: European Master Printmaking
(Adelaide:
Art Gallery of South Australia ,
2000)
From Goya to Picasso: A Century of Spanish Printmaking
(New York :
The Hispanic Society of America,
1998)
German Book Illustration of the Gothic Period of the Early Renaissance (1460-1530)
(Metuchen :
The Scarecrow Press Inc.,
1972)
Grand Scale: Monumental Prints in the Age of Dürer and Titian
(Wellesley/New Haven :
Davis Museum and Cultural Center, Wellesley College in assoc with Yale University Press,
2008)
Graven Images: The Rise of Professional Printmakers in Antwerp and Harlem, 1540-1640
(Chapel Hill:
Ackland Art Museum/University of North Carolina,
1993)
La Ilustración en México Colonial: El Grabado en Madera y Cobre en Nueva España, 1539-1821
(Zapopán:
El Colegio de Jalisco,
2001)
Inventaire des Graveurs des Ecoles du Nord: 1440-1550 (2 volumes)
(Paris:
Bibliotheque Nationale ,
1982)
Inventaire du fonds francais Graveurs du XVII siecle (multiple volumes)
(Paris:
Bibliotheque Nationale,
1939)
Journey Through Landscape in Seventeenth Century Holland: The Haarlem Print Series and Dutch Identity
(University Park:
Pennsylvania State University Press ,
1994)
Katalog Der Ornamentstichsammlung Der Staatlichen Kunstbibliothek, Berlin, 2 vols
(Utrecht :
HES Publishers ,
1986)
Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten/The Picture Book of the Graphic Arts, 1500-1800
(Munich/New York:
Knorr & Hirth, 1882/89, reissued Benjamin Blom Inc.,
1972)
Landscape Etchings by the Dutch Masters of the Seventeenth Century
(Maarssen :
Gary Schwartz/Viking Press,
1979/1980)
Mannerist Prints: International Style in the Sixteenth Century
(Los Angeles:
Los Angeles County Museum of Art,
1988)
Manuel de l'amateur de la gravure sur bois et sur metal au xv siecle
(Berlin :
Librairie Alber Cohn,
1891)
Musical Ensembles in Festival Books, 1500-1800: An Iconographical and Documentary Survey
(Rochester:
Boydell and Brewer Inc.,
1989)
Origins of European Printmaking: Fifteenth-Century Woodcuts and their Public
(Washington, D.C. :
National Gallery of Art, in association with Yale University Press,
2005)
Ornament Prints in the Rijksmuseum II in the Seventeenth Century
(Amsterdam:
Rijksmuseum Sound and Vision Publishers,
2004)
Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings and Woodcuts
(Baltimore:
The Pennsylvania State University Press,
2002)
Paper Museums: The Reproductive Print in Europe, 1500-1800
(Chicago:
The David and Alfred Smart Museum of Art/The University of Chicago,
2005)
Parmigianino und sein Kreis: Druckgraphick aus der Sammlung Baselitz
(Ostfildern :
Hatje Cantz,
2007)
Peasants, Warriors and Wives: Popular Imagery in the Reformation
(Chicago:
University of Chicago Press,
1989)
La Pintura Andaluza del Siglo XVII y sus Fuentes Grabados
(Madrid:
Fundación de Apoyo a la Historia del Arte Hispánico,
1998)
Printmaking in France from 1544 to 1844: Ecole de Fontainebleau to Romanticism
(London :
Emanuel Von Baeyer,
c2006)
Printmaking in nineteenth-century France: the Touche Ross gift to the Art Gallery of Ontario
(Toronto:
Art Gallery of Ontario,
c1988)
Prints 1400-1800: A Loan Exhibition from Museums and Private Collections.
(Minneapolis:
Minneapolis Institute of Arts,
1956)
Prints and Drawings of the Danube School: An Exhibition of South German and Austrian Graphic Art of 1500 to 1560
(New Haven:
Yale University Art Gallery ,
1969)
Prints of the Pont-Aven School, Gauguin and his Circle in Brittany
(Washington, DC:
Smithsonian Institution Traveling Exhibition Service,
1986)
Regency to Empire: French Printmaking, 1715-1814
(Minneapolis:
Minneapolis Institute of Arts/Baltimore Museum of Art,
1984)
The Renaissance Engravers: Fifteenth and Sixteenth Century Engravings, Etchings and Woodcuts
(Bournemouth:
Parkstone/Aurora,
1996)
Replica, Fiction: Temporalities of German Renaissance Art
(Chicago:
University of Chicago Press,
2008)
History: 19th-20th century
African-American Artists, 1929-1945: Prints, Drawings, and Paintings in the Metropolitan Museum of Art
(New Haven:
Yale University Press,
2003)
American Lithographers 1900-1960, The Artists and Their Printers
(Albuquerque:
University of New Mexico Press,
1983)
American Prints and Printmakers: A Chronicle of Over 400 Artists and Their Prints from 1900 to the Present
(Garden City:
Doubleday & Co.,
1980)
British Printmakers 1855-1955: A Century of Printmaking from the Etching Revival to St. Ives
(Brookfield:
Ashgate Publishing Co.,
1993)
Caroline and Frank Armington: Canadian Painter-Etchers in Paris
(Brampton:
Art Gallery of Peel,
1990)
Contemporary Australian Printmaking: An Interpretive History
(Roseville East:
Craftsman House,
1994)
The Cutting Edge of Modernity: Linocuts from the Grosvenor School
(Brookfield:
Ashgate Publishing Co.,
2002)
Encuentros gráficos 1938-1948 : Artisas Europeos en el Taller de Gráfica Popular
(Mexico D.F.:
Istituto de Investigaciones Interculturales Germano-Mexicanas A. C.,
1999)
Evolving Forms/Emerging Faces: Trends in Contemporary American Printmaking
(New Brunswick:
Jane Voorhees Zimmerli Art Museum, Rutgers University,
1997)
Expressionist Printmaking: Aspects of its Genesis and Development
(New York :
Galerie St. Etienne,
1985)
The Federal Art Project: American Prints from the 1930's
(Ann Arbor:
University of Michigan Art Museum,
1985)
First Impressions: Early Prints by Forty-six Contemporary Artists
(Minneapolis:
Walker Art Center/Hudson Hills Press,
1989)
Graphic Muse, A: Prints by Contemporary American Women.
(South Hadley:
Hudson Hills Press in association with Mount Holyoke College Art Museum,
1987)
The Graphic Work of the Impressionists: Manet, Pissarro, Renoir, Cezanne, Sisley
(New York:
Harry N. Abrams,
1972)
Graven Images in the Promised Land: A History of Printmaking in South Australia, 1836-1981
(Adelaide:
Art Gallery of South Australia,
1981)
Handbook of Modern British Painting and Printmaking 1900-1990
(Brookfield:
Ashgate Publishing Ltd.,
2002)
Images of Women: printmakers in France from 1830 to 1930
(Salt Lake City :
Utah Museum of Fine Arts/University of Utah ,
1978)
Linocuts of the Machine Age, Claude Flight and the Grosvenor School
(Hants:
National Gallery of Australia/Ashgate Publishing Co.,
1995)
Mexico and Modern Printmaking: A Revolution in the Graphic Arts, 1920 to 1950
(Philadelphia:
Philadelphia Museum of Art ,
2006)
Mexico on Stone: lithography in Mexico, 1826-1900
(San Francisco:
The Book Club of California,
1984)
North American Prints, 1913-1947: An Examination at Century's End
(Syracuse:
Syracuse University Press,
2006)
Parallel Lines: Printmakers, Painters and Photographers in Nineteenth-Century France
(New Haven:
Yale University Press,
2001)
Paths to the Press: Printmaking and American Women Artists, 1910-1960
(Manhattan/Kansas:
Marianna Kistler Beach Museum of Art/Kansas State University,
c2006)
Picasso, Matisse, Chagall: französische Druckgraphik 1900-1950
(Heidelberg; Karlsruhe :
Staatliche Kunsthalle Karlsruhe,
2006)
Printmaking in America: Collaborative Prints and Presses, 1960-1990
(Evanston:
Leigh Block Gallery/Nortwestern University/Harry N. Abrams Inc,
1995)
Prints by Twenty-Five Australian Artists. The Bicentennial Folio.
(Canberra:
Australian National Gallery ,
1988)
Progressive Printmakers, Wisconsin Artists and the Print Renaissance
(Madison:
University of Wisconsin Press,
1999)
Radical Art: Printmaking and the Left in 1930s New York
(Berkeley:
University of California Press,
c2004)
Second Impressions: Modern Prints & Printmakers Reconsidered
(Albuquerque:
University of New Mexico Press,
c1996)
Second Sight: Printmaking in Chicago 1935-1995
(Evanston:
Mary and Leigh Block Gallery/Northwestern University Press,
1997)
A Spectrum of Innovation: Color in American Printmaking 1890-1960
(Worcester:
Worcester Art Museum/W.W. Norton and Company ,
1990)
The Stamp of Impulse: Abstract Expressionist Prints
(Worcester:
Worcester Art Museum/Hudson Hills Press,
2001)
El Taller de Gráfica Popular en México, 1937-1977: Trans. Elizabeth Siefer
(México:
Instituto Nacional de Bellas Artes,
1992)
Japanese Prints
A Dictionary of Japanese Artist's: Painting, Sculpture, Ceramics, Prints, Lacquer
(New York:
Weatherhill Inc.,
1976)
Ehon: The Artist and the Book in Japan
(New York:
The New York Public Library in assoc with University of Washington Press, Seattle and London,
2006)
History and Practice of Japanese Printmaking: a selectively annotated bibliography of English language materials
(Westport:
Greenwood Press ,
c1984)
Images of a Changing World: Japanese Prints of the Twentieth Century
(Portland:
Portland Art Museum,
c1983)
Japanese Buddhist Prints
(New York:
Abrams in cooperation with Kodansha International LTD., Tokyo ,
1964)
Japanese Prints: From the Early Masters to the Modern
(Rutland:
With the cooperation of the Honolulu Academy of Arts/Charles E. Tuttle Co.,
1959)
Light in Darkness: Women in Japanese Prints of Early Showa (1926-1945)
(Los Angeles:
Fisher Gallery at the University of Southern California,
)
Quiet Elegance: Japan through the Eyes of Nine American Artists
(North Clarendon:
Charles E. Tuttle Company,
1997)
Single Artist Monographs
Drawn from Nature: The Plant Lithographs of Ellsworth Kelly
(New Haven:
Yale University Press in association with the Grand Rapids Art Museum,
2005)
Jacques Callot: Catalogue Raisonné de l’Oeuvre Gravé
(San Francisco :
Alan Wofsy Fine Arts ,
1989)
Leopoldo Méndez: Revolutionary Art and the Mexican Print
(Austin :
University of Texas Press,
2007)
Mary Cassatt, Impressions
(Giverny:
Musée d’Art Américain Giverny/Terra Foundation for American Art,
2005)
Mary Cassatt: Prints and Drawings from the Artist's Studio
(Princeton:
Princeton University Press,
2000)
Max Beckmann: Prints from the Museum of Modern Art
(Fort Worth/ New York :
Modern Art Museum of Fort Worth Museum of Modern Art ,
1992)
Monografía: las obras de José Guadalupe Posada, Grabador Mexicano
(México, D.F.:
Editorial RM,
2002)
Primicias Litográficas del Grabador José Guadalupe Posadas: Aquascalientes, León, 1872-1876.
(México:
Gobierno de Estado de Aguascalientes,
1999)
Catalogues: Collection
Alone in a Crowd: Prints of the 1930s-1940s by African American Artists: from the Collection of Reba and Dave Williams
(United States:
Washburn Press,
1993)
American Prints in the Library of Congress, A Catalog of the Collection.
(Wofsy:
Alan Fine Arts,
1991)
Black Printmakers and the W.P.A.: The Lehman College Art Gallery
(Bronx:
Lehman College Art Gallery, the City University of New York,
1989)
Five Hundred Years of Medicine in Art: An Illustrated Catalogue of Prints and Drawings in the Clements C. Fry Collection
(Suffolk:
St. Edmundsbury Press Ltd., Ashgate Publishing,
1988/2001)
French Renaissance in Prints from the Bibliotheque Nationale de France
(Buena Park :
Gardner Lithograph/University of Washington Press,
1994/1995)
German Expressionist Prints and Drawing: the Robert Gore Rifkin Center for German Expressionist Studies
(Los Angeles/Munich :
Los Angeles County Museum of Art/teNeyes Publishing Co.,
1989)
German Expressionist Prints: the Marcia and Granvil Specks Collection at the Milwaukee Art Museum
(New York :
Hudson Hills Press ,
2004)
Impressions of the 20th Century: Fine Art Prints from the V&A collection
(London:
V&A Publications/Harry N. Abrams Inc.,
2001)
Impressions of New York, Prints from the New-York Historical Society
(New York:
New York Historical Society,
2004)
Latin American prints from the Museum of Modern Art
(New York:
Center for Inter-American Relations,
1974)
Master Prints of Five Centuries: The Alan and Marianne Schwartz collection
(Detroit:
Detroit Institute of Arts,
1991)
Pop Impressions: Europe/USA, Prints and Multiples from the Museum of Modern Art
(New York:
Museum of Modern Art in Association with Harry Abrams,
1999)
Successions: Prints by African-American artists from the Jean and Robert Steele Collection
(College Park:
Art Gallery, University of Maryland,
2002)
Catalogues: Print Workshops
Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida
(Washington DC:
National Gallery of Art,
1991)
Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957-1997
(Washington DC:
Corcoran Gallery of Art,
1998)
Tyler Graphics: Catalogue Raisonne 1974-1985
(Minneapolis:
Walker Art Center/Abbeville Press Inc.,
1987)
Care and Conservation
The Care of Prints and Drawings
(Nashville:
AASLH Press, with the assistance of the J. Paul Getty Trust,
1987)
Curatorial Care of Works on Paper: Basic Procedures for Paper Preservation
(New York:
Nick Lyons Books,
1987)
A Guide to the Collecting and Care of Original Prints
(New York:
Crown for the Print Council of America,
1966)
Old Master Prints and Drawings: A Guide to Preservation and Conservation
(Ann Arbor:
University of Michigan Press,
1997)
Jim Dine