American Pre-1950
|
| Little Penthouse |
| Martin Lewis |
| American Pre-1950 > Urban Realism |
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| Beowulf |
| Rockwell Kent |
| American Pre-1950 |
|
| Copyist at the Metropolitan Museum |
| John Sloan |
| American Pre-1950 |
|
| Artists Judging Works of Art |
| George Bellows |
| American Pre-1950 |
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| Approaching Storm |
| Grant Wood |
| American Pre-1950 > Regionalism |
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| Night Shadows |
| Edward Hopper |
| American Pre-1950 |
|
| Manhattan Vista |
| Armin Landeck |
| American Pre-1950 > Urban Realism |
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| Brooklyn Bridge |
| Louis Lozowick |
| American Pre-1950 > Urban Realism |
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| Subway Shift; The Second Front |
| Benton Murdoch Spruance |
| American Pre-1950 |
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| Small Town Elements |
| J. Jay McVicker |
| American Pre-1950 |
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| Cider Press |
| Helen West Heller |
| American Pre-1950 |
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| Native Son |
| John Woodrow Wilson |
| American Pre-1950 |
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| The Flies At Minsky's |
| Kyra Markham |
| American Pre-1950 |
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| The Patroness |
| Peggy Bacon |
| American Pre-1950 |
|
| Brooklyn Bridge No. 6 (Swaying) |
| John Marin |
| American Pre-1950 |
|
| Dance in a Madhouse |
| George Bellows |
| American Pre-1950 > Urban Realism |
|
| Man, Wife, Child |
| John Sloan |
| American Pre-1950 > Urban Realism |
|
| New York Bouquet |
| Childe F. Hassam |
| American Pre-1950 |
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| Le Penseur de Notre Dame |
| John Taylor Arms |
| American Pre-1950 |
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| Hot Saw |
| Adolph Arthur Dehn |
| American Pre-1950 > Urban Realism |
|
| River Front |
| George Bellows |
| American Pre-1950 > Urban Realism |
|
| The Tournament (Tennis at Newport) |
| George Bellows |
| American Pre-1950 > Urban Realism |
|
| Coast Range California USA |
| Augusta Rathbone |
| American Pre-1950 |
|
| Blossom Time in Tokyo |
| Helen Hyde |
| American Pre-1950 |
|
| Woman with a Fan |
| Ethel Mars |
| American Pre-1950 > Provincetown Printmakers |
|
| Base Hospital, Second Stone (Base Hospital) |
| George Bellows |
| American Pre-1950 > Urban Realism |
|
| The Hold-Up, First State |
| George Bellows |
| American Pre-1950 > Urban Realism |
|
| My Family, First Stone |
| George Bellows |
| American Pre-1950 > Urban Realism |
|
| Introductions |
| George Bellows |
| American Pre-1950 > Urban Realism |
|
| Close Quarters |
| Peggy Bacon |
| American Pre-1950 > Urban Realism |
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| Merry-Go-Round |
| Reginald Marsh |
| American Pre-1950 > Urban Realism |
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| Nude on a Horse (Ittmann #129) |
| Dox Thrash |
| American Pre-1950 > Harlem Renaissance |
|
| Self Portrait 1932 (Fine & Looney #74) |
| Benton Murdoch Spruance |
| American Pre-1950 |
|
|
| Mother Love (Madonna and Child) |
| Max Weber |
| American Pre-1950 |
|
|
| The Wave, Moonrise |
| Bror Julius Olsson Nordfeldt |
| American Pre-1950 > Provincetown Printmakers |
|
|
| Avenue of the Allies |
| Childe F. Hassam |
| American Pre-1950 |
|
| The Glow of the City |
| Martin Lewis |
| American Pre-1950 |
|
| The Beauties of Nature |
| Peggy Bacon |
| American Pre-1950 > Urban Realism |
|
| The Sketch Class (at the League) |
| Peggy Bacon |
| American Pre-1950 > Urban Realism |
|
|
| Farm in the Woods |
| Werner Drewes |
| American Pre-1950 |
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| Traffic Control |
| Benton Murdoch Spruance |
| American Pre-1950 |
|
|
| Moonlight on the Grassy Bank |
| Arthur B. Davies |
| American Pre-1950 |
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| Revival |
| Isac Friedlander |
| American Pre-1950 |
|
| Caustic Comment |
| Benton Murdoch Spruance |
| American Pre-1950 |
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| Modern Music |
| Albert Potter |
| American Pre-1950 > Urban Realism |
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| The East River |
| Lawrence Nelson Wilbur |
| American Pre-1950 |
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| War Casualty |
| Leon Bibel |
| American Pre-1950 |
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| Mosaic |
| John Sloan |
| American Pre-1950 |
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| Teeming Ingots |
| James Edward B. Allen |
| American Pre-1950 |
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| The Flashy Back |
| Benton Murdoch Spruance |
| American Pre-1950 |
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| Spring Night, Greenwich Village |
| Martin Lewis |
| American Pre-1950 > Urban Realism |
|
| Egret |
| Ethel Mars |
| American Pre-1950 > Provincetown Printmakers |
|
| The Puppet |
| Abe Blashko |
| American Pre-1950 |
|
| The Man Who Laughs (A Victor Hugo Story) |
| Abe Blashko |
| American Pre-1950 |
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| On Rivington Street |
| Jerome Myers |
| American Pre-1950 |
|
|
| York Avenue Tenements – A Printer’s Proof Impression |
| Armin Landeck |
| American Pre-1950 > Urban Realism |
|
| The Desert |
| Marguerite Thompson Zorach |
| American Pre-1950 |
|
| St. Paul's Against the El |
| John Marin |
| American Pre-1950 |
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| Passing Fancy |
| Don Freeman |
| American Pre-1950 |
|
| Discussion |
| Thomas Hart Benton |
| American Pre-1950 > Regionalism |
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| 6 x 8 |
| Harry Bertoia |
| American Pre-1950 |
|
|
| Connoisseurs of Prints |
| John Sloan |
| American Pre-1950 |
|
|
| Dawn (or, Kneeling Figure) |
| Arthur B. Davies |
| American Pre-1950 |
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| The Black Hat (Emma in a Black Hat) |
| George Bellows |
| American Pre-1950 |
|
| Hombre! Que Sin Vergeunza! |
| George Biddle |
| American Pre-1950 |
|
| Discussion |
| Thomas Hart Benton |
| American Pre-1950 > Regionalism |
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| My Wife Sally |
| Milton Avery |
| American Pre-1950 |
|
| Still Life with Breakfast |
| Louis Lozowick |
| American Pre-1950 |
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| Quiet Hour |
| Stow Wengenroth |
| American Pre-1950 |
|
| Preliminaries |
| George Bellows |
| American Pre-1950 |
|
| Provincetown |
| William Zorach |
| American Pre-1950 |
|
|
| Tennis |
| George Bellows |
| American Pre-1950 |
|
| Four Nudes in a Landscape |
| Jan Matulka |
| American Pre-1950 |
|
| Delmonico Building |
| Charles Sheeler |
| American Pre-1950 |
|
| Tatoo-Shave-Haircut |
| Reginald Marsh |
| American Pre-1950 |
|
| The Writing Desk |
| Childe F. Hassam |
| American Pre-1950 |
|
| Vision #2 |
| Joseph Vogel |
| American Pre-1950 |
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| St. Paul's Against the El |
| John Marin |
| American Pre-1950 |
|
| Sailing (Provincetown) |
| William Zorach |
| American Pre-1950 |
|
| Prayer |
| Max Weber |
| American Pre-1950 |
|
| Over the Ultimate (Voyager) |
| Rockwell Kent |
| American Pre-1950 |
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| Quintet |
| Terry Haas |
| American Pre-1950 |
|
| Man and Parrot |
| Will Barnet |
| American Pre-1950 |
|
| Mother |
| Blanche Grambs |
| American Pre-1950 > Urban Realism |
|
| City Child |
| Will Barnet |
| American Pre-1950 > Urban Realism |
|
| Sue Fuller, Lancelot and Guinevere, 1944 |
| Sue Fuller |
| American Pre-1950 |
|
| Forward Pass |
| Benton Murdoch Spruance |
| American Pre-1950 |
|
| A New England Family (The Father) |
| Marguerite Thompson Zorach |
| American Pre-1950 > Provincetown Printmakers |
|
| Delmonico Building |
| Charles Sheeler |
| American Pre-1950 |
|
| Steel Castles |
| Otto Kuhler |
| American Pre-1950 |
|
| Pilar |
| Gene Kloss |
| American Pre-1950 |
|
| Non-Fiction |
| Robert Gwathmey |
| American Pre-1950 |
|
| Die Architektur (Architecture), also Stadtbild ... |
| Lyonel Feininger |
| American Pre-1950 |
|
| Abstraction No. 7 (Composition VII) |
| Werner Drewes |
| American Pre-1950 |
|
| Sidestreet |
| Abe Blashko |
| American Pre-1950 |
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| Abstract Boats |
| Leon Bibel |
| American Pre-1950 |
|
| Riders of the Apocalypse |
| Benton Murdoch Spruance |
| American Pre-1950 |
|
| Cat's Paw. |
| Armin Landeck |
| American Pre-1950 |
|
| The Seine Boat. |
| Blanche Lazzell |
| American Pre-1950 |
|
| Feeding the Pigeons. |
| Clare Veronica Hope Leighton |
| American Pre-1950 |
|
| 42nd & 5th. |
| Martin Levine |
| American Pre-1950 |
|
| Through Brooklyn Bridge Cables. |
| Louis Lozowick |
| American Pre-1950 |
|
| Tennessee Pike. |
| Donald MacLaughlin |
| American Pre-1950 |
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| Builders of Babylon. |
| Samuel L. Margolies |
| American Pre-1950 |
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| Riverie. |
| Alessandro Mastro-Valerio |
| American Pre-1950 |
|
| Spingler-Van Beuren - Bargain Day, Fourteenth Street. |
| Charles F. Mielatz |
| American Pre-1950 |
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| Dawn, The 75's Follow Up. |
| Kerr Eby |
| American Pre-1950 |
|
| Stick-Em-Up. |
| Mabel Dwight |
| American Pre-1950 |
|
| Blue Valley Fox Hunt. |
| John Stockton DeMartelly |
| American Pre-1950 |
|
| Theater on the Beach. |
| Stuart Davis |
| American Pre-1950 |
|
| West Side, New York. |
| Howard Norton Cook |
| American Pre-1950 |
|
| Hurdy-Gurdy Ballet. |
| Glenn O. Coleman |
| American Pre-1950 |
|
| Break of Day . (Vermont) |
| Asa Cheffetz |
| American Pre-1950 |
|
| The Front Yard. |
| Bolton Brown |
| American Pre-1950 |
|
| Houseboat on the Hudson. |
| Mortimer Borne |
| American Pre-1950 |
|
| Descending. |
| Leon Bibel |
| American Pre-1950 |
|
| High Level Bridge with Cuyahoya River. |
| Jolan Gross Bettelheim |
| American Pre-1950 |
|
| Along Shore. (St. Vincent). |
| Reynolds Beal |
| American Pre-1950 |
|
| A Pennsylvania Glen No. 2. |
| Albert W. Barker |
| American Pre-1950 |
|
| The Connectors. |
| James Edward B. Allen |
| American Pre-1950 |
|
| Portrait of John Andre Crotti |
| Frank Benson |
| American Pre-1950 |
|
| A Stag at Sharkey's |
| George Bellows |
| American Pre-1950 |
|
| Subway Steps |
| Martin Lewis |
| American Pre-1950 |
|
| Black Maternity |
| Elizabeth Catlett |
| American Pre-1950 > Urban Realism |
|
| The Bather |
| Rockwell Kent |
| American Pre-1950 |
|
| Passer-by |
| Raphael Soyer |
| American Pre-1950 |
|
| Central Park, New York City |
| Harry Sternberg |
| American Pre-1950 > Urban Realism |
|
| Snow Birds |
| Marguerite Kirmse |
| American Pre-1950 |
|
| Little Penhouse |
| Martin Lewis |
| American Pre-1950 > Urban Realism |
|
| Chance Meeting |
| Martin Lewis |
| American Pre-1950 > Urban Realism |
|
| Greetings from the House of Weyhe |
| Howard Norton Cook |
| American Pre-1950 > Urban Realism |
|
| California Hills |
| Anders Aldrin |
| American Pre-1950 |
|
| Anschutz On Anatomy |
| John Sloan |
| American Pre-1950 |
|
| Snowstorm in the Village |
| John Sloan |
| American Pre-1950 |
|
| Star Burlesk |
| Reginald Marsh |
| American Pre-1950 |
|
| Under The Bridge |
| Louis Lozowick |
| American Pre-1950 |
|
| Striking The Set |
| Don Freeman |
| American Pre-1950 |
|
| The Photographer (Edward Weston) |
| Peter Krasnow |
| American Pre-1950 |
|
| Shell |
| Paul Landacre |
| American Pre-1950 |
|
| Evening Wind. |
| Edward Hopper |
| American Pre-1950 > Urban Realism |
|
| Going West. (Express Train.) |
| Thomas Hart Benton |
| American Pre-1950 > Regionalism |
|
| Three Wise Men |
| Bertha Boynton Lum |
| American Pre-1950 |
|
| Sunday Morning, San Angel, Mexico |
| Helen Hyde |
| American Pre-1950 |
|
| Source of the Glacier |
| William Seltzer Rice |
| American Pre-1950 |
|
| Singing Woods |
| Gustave Baumann |
| American Pre-1950 |
|
| Night Ceremony |
| Gustave Baumann |
| American Pre-1950 |
|
| Marsh Creek |
| Arthur Wesley Dow |
| American Pre-1950 |
|
| The Locomotive |
| Edward Hopper |
| American Pre-1950 |
|
| It's Later Than You Think |
| Rockwell Kent |
| American Pre-1950 |
|
| Frankie and Johnnie |
| Thomas Hart Benton |
| American Pre-1950 > Regionalism |
|
| Soapweed |
| George Burr |
| American Pre-1950 |
|
| The Sawdust Trail |
| George Bellows |
| American Pre-1950 > Urban Realism |
|
| Neighborhood Champ |
| Robert Riggs |
| American Pre-1950 |
|
| The Women's Page |
| John Sloan |
| American Pre-1950 |
|
| Shadow Dance |
| Martin Lewis |
| American Pre-1950 |
|
| The Gates of the City |
| John Taylor Arms |
| American Pre-1950 > Regionalism |
|
| John Brown |
| John Steuart Curry |
| American Pre-1950 |
|
| Man at Mast |
| Rockwell Kent |
| American Pre-1950 |
|
| Untroubled Waters |
| Frances Hammell Gearhart |
| American Pre-1950 |
|
| The Cat Boat |
| Edward Hopper |
| American Pre-1950 |
|
| A Stag at Sharkey's |
| George Bellows |
| American Pre-1950 |
|
| Coney Island |
| Paul Cadmus |
| American Pre-1950 > Urban Realism |

























































































































































