Poor framing can destroy a print, so it is important to listen for certain terms when discussing a job with your framer—archival, acid-free, frame spacing, and UV protected glass, to name a few. Works on paper are usually “matted” or “floated” in a frame. The latter leaves the borders and deckled edge of the paper exposed for you to enjoy. If you decide to float your print on acid-free board, it is important your framer install “frame-spacing” around the edge of the frame; it is invisible to the presentation, but lifts the glass off of the surface of the print. One of the most important things to remember is the glass should never touch the surface of the print as this can encourage moisture to become trapped inside the frame and causing damaging mold and water stains. Because large sheets of glass can be delicate, for larger works it is recommended to frame with a UV protected plexi-glass. The framing process is the same, but you reduce the risk of broken glass damaging the surface of your print. If you like the frames of other works in the gallery, your Dealer can recommend a qualified framer, preferably someone from whom they commission frames regularly.

If you don't plan to hang your print right away certain special conditions are preferred to ensure the life-span and integrity of your print in storage. Humidity and temperature should be controlled, and dampness and heat should be avoided in the area where the print is stored. Be sure to keep it out of direct sunlight as this can also cause damage to the ink and paper. Keep your print protected from dust, dirt and insects by housing your print in an alkaline container, and if your print is unframed, be sure to store it flat to keep the edges from curling and/or tearing. For more information on how to care for your work on paper, see here

Paper has a memory and in most cases a damaged work can be repaired. We recommend consulting a professional conservator as he/she will have expert knowledge of the appropriate materials to use, and will be able to document the repairs as repairs and patches will affect the value of the work. You can contact the Paper Conservation department at any major museum or university in your area to find someone to help or contact the American Institute for Conservation of Historic and Artistic Works to find a registered conservator near you.

When a print has been restored or repaired by a conservator, he/she will often compose a report making note of all damages, as well as the materials and techniques used in the repairs. All of this information will typically be included in the print description provided to you when you purchase your print. You should feel comfortable asking a Dealer any questions about this description, the repairs that were made, and how it may affect the value.